DAN MCGLAUGHLIN

ACTOR/VOICE ACTOR
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Thursday, June 18, 2009

A Drunk American Adapts the Gettysburg Address as a Birthday Toast for His Brother in a European Dance Club

A Drunk American Adapts the Gettysburg Address as a Birthday Toast for His Brother in a European Dance Club by Thomas McGlaughlin Jr.

One score and eight years ago, our founding father brought forth on this continent a new Broheim, conceived in liberty and dedicated to the proposition that all men are created equal-- but that some women are created more equal than others. Sorry, Angelina Jolie. 
My brother Dan has never found you that attractive. But if Uma Thurman happens to be in the audience, please call me. 

I may be able to arrange something for you two.

Now we are engaged in a great civil war, or something ..... unless Bush was lying .... which, come to think of it, is not only very possible but EXTREMELY LIKELY. Whatev. Now we are engaged in a great civil party, testing whether one man, my brodey Dan, or any man so conceived and so dedicated, can long endure without the benefits of Uma Thurman, Gwyneth Paltrow, Cameron Diaz, or any other appropriately breathtaking tall blonde with about $10 million dollars in the bank and the inexplicable need for rare, probably illegal pleasures. Ladies and women, we are met on a great battle-field of that war. But not war exactly. More like, "the great floor of an outdated Zurich disco." The point is that we have come to dedicate a portion of that Disco, as a final resting place for those who here--- and I'm thinking of Dan very particularly --- who want to give their lives or even just bodies to a pretty cool dude that this nation might be a better, cooler, altogether more awesome place. It is altogether fitting and proper that we should do this, is it not?

But, in a larger sense, we can not dedicate -- we can not consecrate -- we can not hallow -- Danny Boy. We are his Bros. That would be gay and weird and what not. Uma Thurman, Heather Graham, Cate Blanchett, et cetera, that's where you come in. The brave women, living and dead, who struggled here, on many long nights throughout the 70s and early 80s, have consecrated this fine dance floor, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what Dan would like to do here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us -- that from these honored ladies we take increased devotion to that cause for which they gave the last full measure of devotion -- that we here highly resolve that these women shall not have come to this creepy vestige of the Bee Gees in vain -- that this nation, under God, shall have a new birth of freedom -- and that government of the people, by the people, for the people, shall not perish from the earth. And that Dan may have a really cool birthday. Shots!

Wednesday, June 17, 2009

Car Anagrams from 6:36 - 7:24 a.m.

Toyota = A Tooty
Orator = To Roar
McDonalds = Ms. Cold Dan
Infiniti = In I fit in
Terminator = To re-mint, ra!
The Proposal = Shat-o Peopl-r
Ford Escort = Fred R. Scoot
Yaris = Ya, sir!
Hollywood Tans = O to wholly sand
Coffee = Fec ofe
Schuylkill = Chu Killsly
Viewfinder = Vin, Few Die
Safe Auto = U Eat Sofa
Mountain Dew = Um, No, Ain't Wed

Sunday, June 14, 2009

The Seafarer



Bill Zielinski's bartending Brendan in The Arden's 2000 production of 
The Weir didn't have a story to tell. 

He was always debatin' 

It's almost as if this story has been nine years coming.

Whereas the haunted inhabitants of Conor McPherson's The Weir were haunted houses, plagued by loss and regret, just below unrequited love or obsession in the hierarchy of torments, Mr.Zielinski's character is put upon by forces of mephistophelean caliber.

David O'Connor's production notes quote the text of the old Anglo-Saxon poem, The Seafarer: "Wretched and anxious, in the paths of exile, lacking dear friends, hung round by icicles, while hail flew past in showers" describes the psychological touchstone of the play.

So it's only fitting to have Mr Zielinski return to the central role of James "Sharky" Harkin in Conor McPherson's latest opus The Seafarer  at the Arden Theatre Company. 

Considering Mr. Zielinsk's familiarity with McPherson and McPherson's affinity for Mamet, William Zielinski's portrayal of Sharky was a perfect fit - the engine of the play: always ready to clean the detritus left by winos out of the alley or prepare a meal of smoked salmon and soda bread.

The cast was rounded out by the expert talents of veteran Philly actors Anthony Lawton (Ivan Curry), Greg Wood (Mr. Lockheart) who never fails to deliver, Brian Russell (Richard Harkin, Barrymore anyone?) and Joe Hickey (Nicky Giblin). 

Having lived in Ireland, in LaHinch (O'Looney's was a favorite drinking spot after surfing) I can tell you that Mr. Hickey's portrayal of the strained, garrulous, and hyper-active Giblin was brilliant, spot-on, excellent.

McPherson's character's unravel slowly, reveal gradually, just as the characters of the Weir were contained, bursting at the seams, (from the Old English wer, to damn up); the wretched and anxious characters here endure the cold psychic wind of the titular Seafarer. Watching them come back to shore is the drama. See this play.

Tuesday, June 9, 2009

Thursday, June 4, 2009

My Life in 10,000 Words.

My Island
My Castle
My Boat
My Spaceship
My Rocketboots
My Childhood
My Dog
My superpower

My cocaine field and airplane
...okay 10,024.

Chevy Tantrum

Tuesday, June 2, 2009

Vile Smiles

VILE SMILES
This is my friend Ryan's blog, check it out - you'll laugh your ass off. The following is an actual review someone paid to write, there's an attaboy:

"Vile Smiles is an unapologetic retelling of daily experiences by a 27 year old guy who goes by the name Ryan. He grew up and currently lives in Philadelphia, and according to himself, "he's super f*cking neat"! This blog is oozing with sarcasm and obsession over the little things in life that strike him as annoying, or just plain wrong. Whether it is restaurant etiquette, depression, creepy neighbors, or sports, Ryan's got a very detailed opinion on it. Be sure to proceed with caution: with enough discretion on the reader's part, Vile Smiles is sure to be an entertaining read."

---Copied from The Eaton Web Blob Directory


http://vilesmiles.org/

Appaloosa



On November 8th me and Johnny Boy went to go see Appaloosa.
The movie fucking blew.
I found the ticket stub in my drawer today. 
And I was like,
Oh yeah that movie: 
It's about something really bad someone saw in the past.

P.S. "APPALOOSA" ALSO SPELLS "ALAS, A POOP"

Monday, June 1, 2009

"The Gears of Modernity: Daniel Wunder & the Neu-High-School"



SCENE 1
EXT. COROVA-NEU H.I.G.H. SCHOOL, DAY. The BUILDING is enormous, taking up an entire CITY BLOCK. The design echoes Arthur Snyers, and borrows architectural references from 'La Parfaite Intelligence et l'Etoile Reunies.' ZEPPELINS circle above the CITY, like so many BIRDS. SPINDLE-BLUSTS and PANELVANGERS zip along the HIGH TENSION WIRES which cris-cros the city like a fisherman's net.

TRANSPORT BOXES click along guided street rails at the corner of 01001101.9th STREET and VANDERBILT THOROUGHFARE in NEU-CITY. The scene is MODERN: GLASS and STEEL buildings in the style of ART-DECO and EGYPTIAN REVIVAL are planted amongst shrubs of out-dated 21st century tract housing, like patches of dying of grass.
The leaden report of a diesel engine backfiring through the soot encrusted, dilapidated neu-neu-deal neighborhood gives the HOUSE OF INTEGRATED GENERATION HABILITATION the air of an eminence gris.

A small, utilitarian TRANSPORT BOX weaves its way out of the stream of traffic. DANIEL WUNDER, 27, crusty, sleepy, slowly rolls out of the passenger side of the TRANSPORT BOX. His clothes are wrinkled and his PRINCE EDWARD PETTICOAT has SPOTTED DICK STAINS on the lapels and NAPOLEONIC COLLAR. He adjusts his MONOCLE and lets out a deep sigh.

GLOCK WUNDER, 57, springs like a LAPIN AGILE out of the driver's side. His MACRO CEPHALIC CRANIUM is florid and taught, and there is a twinkle in his eye which evidences strong influences of what EUGENICISTS of the FUTURE will come to identify as the IRISH PUCK gene.

DANIEL WUNDER
I daresay we've gone a little too far in the T.Box and landed ourselves aright 300 years ago near Christ S'pital fields. Watch out, father! Jack the Ripper still about!

GLOCK WUNDER
Ah, you're talking I thought you're spleen'ad ruptured on account of the bile and stench coming from your beer'ole. Asides - Happy Jack only killed protties.
DANIEL WUNDER
I know, give heed.

GLOCK WUNDER
Easy now. Long live the Queen.

DANIEL WUNDER
Long Live the Queen.

GLOCK WUNDER
Thank Lord, 112 years ago we have been returned to the warm embrace of our Sovereign. Did you procure the VIEWDISCS I required from T.L.A. Oscar Wilde?

DANIEL WUNDER
(taking a pinch from his snuffbox)
Indeed.

SCENE 2
INT. COROVA-NEU H.I.G.H.SCHOOL EDIFICATION ROOM #41.369
DANIEL stands at the head of the classroom, the desks are black steel with a VIEWDISPLAY embedded in the desktop just beneath a dermis of smudged, dirty, translucent plastic. The Edification Room is festooned with portraits of MARGARET SANGER, ALEISTER CROWLEY, JOHN DEE, and QUEEN ELIZABETH I & II. Behind the INSTRUCTOR SCRIM, which looks like a slightly opaque muslin drop in lieu of a traditional, antiquated, obsolete blackboard of the 20th and 21st century.  TWO HISTORICAL EPOCHS are depicted above the SCRIM in the form of two LEGENDS. The first one shows pictures of CIVIL WAR and STRIFE, the color scheme is comprised of secondary and tertiary colors. There are hints of CUBIST and SURREALIST techniques, a la Picasso's Guernica, and images of the Founding Fathers, John Jay, Abraham Lincoln, etc...The Legend reads "1776-2076: THE THREE HUNDRED YEAR DIVORCE". THE SECOND LEGEND READS "THE RECRIMINATION PERIOD: 2076 - " and depicts a divinely ordered pyramidal structure, replete with the QUEEN, LORDS, VASSALS, SERFS, and NOBLEMEN. 

THE STUDENTS, aged 14-17, are in varied states of BOREDOM, FRUSTRATION, UNCONSCIOUSNESS, and HOSTILITY. Beneath the constant electric hum of the PEDAGOGICAL EQUIPMENT there is the sussuration of profanities and chatter. The volume is variable, sometimes increasing, sometimes decreasing but never ceasing altogether.

THREE STUDENTS who are especially vocal are sitting in the back row of desks. They are GRINK, 16, HOHGLE, 15, and DODO, 16.

GRINK
Ga'Pen

HOHGLE
Nah, ah ain't got pen.

DODO
You got pen?

GRINK
Need a pen.

HOHGLE
Need a pen too.

DODO
Who got a pen?

GRINK
Why you need a pen?

HOHGLE
Why YOU need a pen?

DODO
WHO got a PEN?

GRINK
I oh no.

HOHGLE
I ohno neevuh.

DODO
WHO GOT A PEN?

GRINK
Whatchoo doon needa pen?

HOHGLE
I ohno.

DODO
Just need it.

GRINK
Yall cain ryte.

HOHGLE
Yeah, yall cain ryte Doh.

DODO
I caintoo ry.

GRINK
Yo Hoh he said "I caintoo ry" he was all-

HOHGLE
-yeah he was all-

DODO
fuck yall motha fu-

GRINK
Ry-did-down Dodo, rydid down.

HOHGLE
Yeah rydid down Dodo, rydid down

DODO
(calling to the front of the room)
GLOCK JUNIOR, HOH & G is messin' with me yo, give them sankslips, sankslip'em GLOCK!

WUNDER JUNIOR is slightly flummoxed, but not surprised by the outburst from DODO.  DANIEL WUNDER produces THREE SANCTION SLIPS FROM HIS WORK BLOC. A certain level of constant disruption is the normative operating condition, but once in a while the THREE WISE MEN, manage to disrupt the disruption, as it were.

SCENE 3
To Be Continued.